Thursday, 23 January 2014
Q1: In what ways does your media product use, develop or challenge forms and conventions of real media products?
Thriller is a novel, play, or film with an
exciting plot, typically involving crime or espionage. The character
goes on a journey and will happen in big cities or towns.
Conventions:
Most thrillers include many shots (SEE PREZI) especially close-ups as
they, if used effectively, can build a lot of tension so we wanted to use close-ups
as well. One example of this is Se7en,
in which the close up of the metronome adds depth to the character and also makes
the audience ask questions. We also wanted to show establishing shots to set
the scene to make it more realistic and to show that it’s set in a town/city. For
example The Lovely Bones shows lots
of establishing shots or long shots to show the location and scenery. In thrillers they edit either really quickly
to make it very intense (e.g. Se7en)
or edited really slowly to make it more dramatic (e.g. Memento). In thriller films the mise-en-scene is very realistic
e.g. clothing. Action, spy, political thrillers are usually set in towns or big
cities e.g. London, Paris. The film Unknown
is set in Berlin. Supernatural, psychological are usually set in lonely
isolated places e.g. woods or mountains. This helps the plot of the film as it
makes it busy and fast paced like cities are. The costumes tend to be very normal/casual so
it almost becomes realistic. In Contagion which was a medical thriller
they made the costumes very normal so the audience think that this could happen
to them. They do the same with make-up. We used a natural light in our which
was good as it made a bright backdrop. There is artificial or natural light and
sometimes light is used to cast shadows to create depth. They use torchlight in
crime thrillers to show it’s an investigation (e.g. Se7en). Many props add an
atmosphere to the thriller film. In ours we used bloody cloth to build suspense
and to make the audience think what and why it is there. The actors are a lone cop, a male protagonist
and female victim or sometimes the female is the heroine e.g. Salt. In our thriller the main character
is both the victim/heroine.


Q2: How does your media product represent particular social groups?
In our production Aimee is the victim but also the heroine –
she is the victim because she is following to the clues to her death but also
she finds the dead body. The clues all link to Aimee as well so builds tension.
Our production represents a very normal social group e.g. middle class. It doesn't show luxury etc but shows more down to earth production. Our character is
very much like Grace Stewart in The
Others as she is very lonely and is set in a similar in location. They both
play the victim and are both female. They aren't similar in age but their
character in terms of stereotypes is.
They both dress very similarly according to the time e.g. ours is modern so Aimee is dressed casual while Grace is set in 1900’s so is dressed for that period. They both have very little make-up on look natural faced. This adds to the whole victim role. Both the camera shots use framing to select the most isolated shots to emphasize loneliness. In our production we only used cloths and maps as clues which is what they also do in The Others. They are significant as they build up the story. Both ours and The Others use very natural lighting through-out although The Others are filmed indoors a lot so use normal lighting. I feel like our production represented social groups equally though.

Q3: What kind of media institution might distribute your media product and why?

A production company handles everything from scheduling,
scripting, post-production, budgeting and the organising of staff. They have a
lot of involvement in the film. In thriller companies they also focus on the
advertising of the film (e.g. trailers, posters and the build up towards its
release). I would choose New Line Cinema to distribute our film as they
release a lot of thriller films such as Se7en and the Final Destination
series. They are based in Los Angeles,
America and is owned by Time Warner. It’s a subsidiary of Warner Bros which is
a very large and well known production company. They are also involved in other
genres such as action (Rush Hour) - which is similar to the thriller genre.
This would be suitable production company to distribute our production as its
well-known, but also because it has good distribution links. It is very much
into thriller/horror films so would be easy for our production to be
distributed and would be managed well.
Unlike in most professional films we have only included 4
positions. We have got Camerawork, Directed, Co-directed and Editing. We did it
in this order as it shows the different categories even though we all did a
little bit each. It is important though that we keep it in order. Our film is
very similar to Se7en in the way that it had a small budget compared to what it
got back in box office. It got released quite slowly from different countries
which is what I would want our production to be done.
Q4: What would be the audience for your media product?
Audience member profile:
Age: 15-30+
Gender: Male or Female
To gather research on our audience we made a questionnaire and
handed it out to 10 people so we could see what type of thriller film they like
or sub-genre they like. I aimed to hand them out to many different people of
age etc so we could get a good range and also turn our results into statistics
and graphs. We asked closed questions as well as multiple choice so they could
give mixed feedback. Unfortunately as we only asked 10 people you get very
small results, and also if we put in on social media and the internet then I
think we would have got more varied results. Our audience is important as they
will watch the film and will help spread it out. They are also important as by
giving our audience what they want they are more likely to watch it.
Our media production is aged for 15-30 year olds as it has
got some scary themes in it that could upset children but is too simplistic for
30+ year olds. Also our questionnaire feedback shows that half of the people I
asked were 10-19 (15-16) so that’s another reason why our media production is
aged for 15-30yrs. The gender of our
audience I think would be both but possibly more females as its very female-orientated. I think that
males and females would like it though as it has got a female victim but a male
protagonists which is very typical and relatable.
The British Board of Film Classification (BBFC) watch films
throughout and decide on which age its appropriate for. They are the legal
classification in Britain. They go as follows U – suitable for all, PG
– parental guidance, 12A- cinema
release suitable for 12 and over, 12
– video release suitable for 12 and over, 15
– suitable for 15 and over, 18 –
only suitable for adults and R18 –
adult work licensed only so not very suitable for cinema etc. I think our age
rating would be 12A as it shows a dead body but doesn’t dwell on it or show a
lot of it. Also there is blood but no gore. The blood is only brief and discreet
and there is no swearing. This makes it available to our target audience and
means they can see it. Other 12A thrillers include The Adjustment Bureau & Contagion.
Age: 15-30+
Gender: Male or Female
Our feedback showed as well that they enjoyed good plots (e.g. mystery, murder and confusion) and
enjoyed asking questions so we made sure we didn’t give the whole story away in
our opening and left in quite open to interpretation. They also said they liked
when tension is built either through music or through editing. We also asked
what they expect from a thriller and many said an unusual outcome which is what
we aimed for.

Q5: How did you attract/address your audience?
This shot is another close-up of the killer’s pictures of the girl. This incorporates the whole stalker theme. Also we edited them in so they would build tension between the shots of our lead character discovering the dead body.
We don’t use a voiceover in the thriller and we just added
some non-diegetic sound to cover the noises that occurred on camera (diegetic
sound). We used two tracks – one to build the tension and one to make an eerie
mood. Many thrillers do this and also add sound effects.
Our audience responded well to our opening. One person said 'If it was a real film I would watch it'. They enjoyed how
throughout you don’t know what’s happening or what’s going to happen to the
girl. The location also added to the film and made it quite isolated. They also
enjoyed how it was quite tense which is what we wanted in our thriller. One
problem they had with it is that it could be a little confusing.
They said that a voiceover might have solved this confusion
but also made it more difficult to understand. Despite this though they thought
the plot was good and would probably watch it if it was a real film.
Q6: What have you learnt about technologies from the process of constructing this product?
In this production I have learnt many skills in using a
digital camera including the composition of the shot and what to include what
not to. Also I have learnt how to frame a shot correctly e.g. not to include an
object that could ruin the atmosphere of the shot. We used the Golden Mean for this shot. This means that all key parts of a shot are along a diagonal line as seen below.



Q7: Looking back at your preliminary task, what do you feel you have learnt in the progression from it to the full product?

Our media preliminary went well but some of our shots were
unsteady. Also our editing wasn’t perfect in terms of match on match action. We
built on these by making sure we used a tripod and get the camera as still as
possible.
I have developed on the
continuity editing as I have learned to allow the film to shift through time
and give the film rhythm. Match-on-match action helped keep pace to our
thriller as we edited very smoothly. In our production time is passing quite
well and all fits. In our production as no-one was talking we couldn’t do
shot-reverse-shot. We kept to the 180 degree rule, although it was much harder
considering we have no dialogue.
In our prelim we did no planning or shot list, but in our production we did a lot more. We approached it by making sure we did a lot of planning. We did storyboards to see how it would look it. We also did a shot list but as we had to re-film we did two as we did two storyboards. Our second storyboard was much more detailed so it was easier to follow and film.
Thursday, 9 January 2014
Saturday, 4 January 2014
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